Цитата:
Сообщение от noname
О сюне. А выкладывал фото и эскизы? Хотелось бы посмотреть.
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Вот здесь наиболее вменяемая картинка, в принципе мои примерно так внутри и выглядят.
Сами патенты тута:
Найдены в гугле по double chamber xun
Язык перевода крайне специфичен.
Там их штук пять в "другие патенты", у каждого есть .пдф, в них есть картинки.
ну это я могу
Но это же фигура речи такая, для наглядности...))
Говоришь, повышают строй? Ну кто их знает, может и повышают, если бы делал сам, знал бы точно... Во всяком случае, на первой камере авторы неев настаивают... Курай вот без камеры, и попроще у него звук диагональный, прямолинейнее что ли))
Вот что пишет Юджель:
Цитата:
Dear Neyzen (ney player)
The reed of the ney you have was cut from the coast of River Asi in Samandoğı ( Antakya-Turkiye). Since the natural forms of reeds are kept while they are being made ney, each one has its different characteristics. The ney player will only be able to know the characteristics of his ney by playing it regularly for 3-6 months and will get the highest output from it. After this while if you would like to; we are able to sharp the general tune of your ney 100 cents by only interfering in the inner surface without ruining the balance between pitches or shortening its length. By taking note of neyzens’ playing in different head and lip positions, your ney is already opened 40-50 cents lower than the position that I see as normal, according to 440 frequency/sec A note.
I suppose that the most important feature of your ney is the sensitivity of the general tune and the balance between pitches. The sizes of inner openers for every node of a reed are determined by carefully calculating the volume of each node before it is made ney. Pitch openers, in addition to the 26 units classical system, are made with a special system that is done by sliding between pitches. A small part of the operations during the opening of the reed are encoded on your ney. All the other details are recorded in my archives to use when it is necessary.
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